You might expect an album that is half bluegrass and half plugged-in country to be a disjointed mess. If we also told you it was recorded by two sets of musicians, in two separate gatherings, on opposite ends of the covid shutdown, you might even wager it would be a complete cluster-eff. And odds are that in the hands of anybody else the new Gibson Brothers release, “Darkest Hour,” might have been just that. In[…]
Read more